This is the pattern for the first chord (G7), and the octave of the root is flipped for the next chord C. The first example uses a cool pattern I learned from watching a fantastic Barry Greene Video lesson which is 3, 5, R, 7. The tab fingerings are only suggestions and I recommend starting from a different place on the neck when you have played through the positions I wrote out. So besides developing your technique, you are also expanding your jazz language.Įach of the etudes is applied over a cycling dominant progression starting on G7, but you can throw in these patterns over rhythm changes or any bebop workout that feature descending ii-V’s. Though the etudes are not written to sound completely musical, each of the four note patterns found with each example can sound musical when mixed with other jazz licks and rhythms. This article features 6 bebop etudes that use perpetual motion and help develop some of the techniques required for playing bebop.Įach bebop etude can also be used to warm up at the beginning of a practice session to help you take your improvisation chops to the next level. When learning to improvise in the bebop idiom guitarists usually encounter tricky fingerings, harmonically dense progressions and fast tempos.Īll of these require a fair amount of technique on the instrument compared to say using one mode to improvise over one chord for four bars at a medium tempo.
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